Table of Contents Table of Contents
Previous Page  79 / 124 Next Page
Information
Show Menu
Previous Page 79 / 124 Next Page
Page Background

77

Activities

18.

Before playing the recording, have students

read each statement and determine the type of

comparison that is being made. Then ask them

to complete the statements and check their

answers after listening to the dialogue.

19.

Ask students to compare and contrast the

colors, perspective, shapes, volume,

background, foreground, and style.

AUDIO SCRIPT

See page 297K.

Answer Key

16.

This painter is more creative than that one.

The painter created a nicer painting than he

was hoping for.

17.

1. que

2. de lo que

3. que

18.

1. de las que

3. de la que

2. de lo que

4. como

19.

Answers will vary.

20.

Answers will vary.

Gramática – Las comparaciones

DESAFÍO 1

Unit

6

1

8

¿Más o menos?

Escucha

los diálogos y completa estas afirmaciones.

1.

En el Museo del Prado hay más obras

pensaba Ethan.

2.

Botero es mayor

creía Eva.

3.

Eva y Ethan tienen más pintura

necesitan.

4.

Eva tiene tantas ganas de viajar a la Ciudad de México

Ethan.

1

9

Compara las obras

Escribe

con tu compañero(a) ocho oraciones comparando estos cuadros.

El arte en la calle

La gran riqueza artística y cultural del mundo hispano se puede

apreciar en sus calles, donde hay verdaderas obras de arte. Por

ejemplo, el mural que retrata la historia azteca en la pared exterior de la biblioteca de

la Universidad Nacional Autónoma de México, el mosaico de Joan Miró en Las Ramblas

de Barcelona o el Parque de las Esculturas de Medellín, con obras de Fernando Botero.

0

2

Compara.

¿Hay arte en los espacios públicos de tu comunidad? ¿Qué ventajas

y desventajas tiene exponer el arte en la calle en vez de hacerlo en museos?

Mosaico de Joan Miró (Barcelona).

Francisco de Goya.

La duquesa

de Abrantes

(1816).

Pablo Picasso.

Retrato de Marie-

Thérèse

(1937).

1

7

Comparaciones

Elige

la opción correcta y escribe oraciones completas.

1.

Las pinceladas de Van Gogh son menos precisas

(que/de lo que/como)

las de Botero.

2.

Este cuadro es mucho más grande

(que/de lo que/de los que)

pensaba.

3.

Pienso que Picasso era igual de talentoso

(que/de lo que/como)

Velázquez.

HERITAGE LANGUAGE LEARNERS

r

Explain to students that many years ago,

portraits served the same purpose as our

photographs today. They are records of

people, places, pets, things, and events that

have had an impact on our lives. Ask

students what or whom they would paint if

they were artists. Have them name a family

member, a friend, or someone in the news,

as well as an event or place that has had

an influence on them. Students should

be prepared to explain why this person,

place, thing, or event is worthy of their

artistic talent.

COOPERATIVE LEARNING

r

Ask students to imagine that they work for

their local government and want to promote

art in public places throughout their

community. Working in small groups, have

students come up with the best plan for

exhibiting this kind of art. Group members

will need to figure out the kind of art they

want to promote. They will also need to

establish whether there will be permanent

exhibits, or seasonal ones. They may

consider a theme for the art, and any

lectures to accompany the exhibits. Call on

groups to explain their plans to the class.

Additional Resources

Fans Online activities

Practice Workbook

El arte en la calle

Many people believe that it is important

to add beauty to cities and to create a

connection between the people, their culture,

and their environment. And in many cities of

the Spanish-speaking world, one does not

need to go to a museum to see art. Just by

walking through a plaza, park, or street, public

art can be admired. For instance, in the city

of Caracas, Venezuela, there are more than

400 works of art in public spaces.

309

Book 4 Unit 6